Always Good Qualities of Us Together – 71

Forums Personal Topics Friend messages Always Good Qualities of Us Together – 71

This topic contains 23 replies, has 1 voice, and was last updated by  josh September 1, 2019 at 3:13 am.

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  • #35266

    josh

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    josh

    The lyris to I’ve Got My Love To Keep Me Warm seem to describe the viewpoint of a patsy being set up for Heine dildo rape kill who believes that his connection to an in woman & his derogatory tags/insults are keeping him in good stead, while the reality is a fit/provocation for van guys.

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  • #35485

    josh

    David Bowie & Bing Crosby appeared in a 1977 Christmas special, just after Crosby’s death. The video, available on YouTube, shows them in the large house of Sir Percival. Here are the Peace on Earth/Little Drummer Boy + Intro from their act.

    The version below is a Flaming Lips cover

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  • #35549

    josh

    Some version of my Dad used to remark about how much he disliked “Hindemith and other modern composers”. Hindemith’s “Concert Music for Piano, Brass, & Harps” is interesting to hear from the POV of a GI in the role of an indy A, confronting the style & substance of indy A life & suppressing his alternative awareness. This recording with Paul Crossley is a superior interpretation to others I’ve heard, emphasizing the leading theme.

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    josh

  • #35560

    josh

    The title “On Green Dolphin Street” can be read in multiple keys. These recordings don’t really fit the picture (which is more like C key), but I like them anyway.

  • #35587

    josh

    The video below is an original work that samples Gil Scot Heron’s record “We Almost Lost Detroit”

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  • #35698

    josh

    This picture gave me the thought “artificial parts showing”.

    Mozart’s K. 361 “Gran Partita” is noteworthy as a big work, with symphonic complexity, scored for a collection of individual wind instruments. It has no massed voicings, making it particularly easy to hear all the different parts working together.

  • #35714

    josh

    Goodbye?

  • #35764

    josh

    Palestrina is among the most unarticulated composers. His music tends to sound like an excessively smooth blending of indistinct parts; all vowels & no consonants – a sonic wall of whipped butter in crushed velvet. The first track below does a good job of using (only) micro-dynamics to highlight different voices in a 4 part motet. The second has 3 sections of 4, then 8, then 12 voices which become more homogenous and unified as a feature of the musical program.

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