Always Good Qualities of Us Together – 75

Forums Personal Topics Friend messages Always Good Qualities of Us Together – 75

This topic contains 23 replies, has 1 voice, and was last updated by  josh November 9, 2019 at 6:19 pm.

  • Author
    Posts
  • #38709

    josh

  • #38766

    josh

    Walking in Rhythm, a 1974 song from the Blackbyrd’s has a sarcastic tone for Heine, but it was a hit record with a catchy melody. This animation condenses the single.

    The rarely heard B-side is an instrumental called “Baby”:

  • #38877

    josh

  • #38902

    josh

    John Doe’s cover of Bob Dylan’s Pressing On (1980) is from the 2007 film “I’m Not There” that was about Bob Dylan. It’s a bit like the Felix the Cat video above, but more universal (for CIA too).

  • #38970

    josh

  • #38988

    josh

    The theoretically non-NATO parts of Heine IT seemed to fall apart due to a leadership hang around Sept. 1 and personality there. They focus on no joking around or Easter eggs; no not predicting the end of all freedom of thought or action.

    I think These lyrics to Love or Confusion are mostly in M key. I think this recording sounds like an alt. take from the Are You Experienced? recording session rather than a live studio BBC thing. I think IT now includes prisoners who see themselves as prisoners and military who don’t realize it yet. And I hope the good ones get out & try to make that happen.

  • #38999

    josh

  • #39049

    josh

  • #39057

    josh

    I like naked Ruth more than he does…

  • #39066

    josh

    This record is electronic, generally in the style of Reich, Glass, & Eno, but more environmental sounding & more exclusively focused on a mix of layered tape loops, forming light polyrhythms.

  • #39076

    josh

    The Swan of Tuonela relates to the story of a guy who is supposed to kill a bird, but he dies before he can complete that task. I often find that any given Sibelius piece can have a ‘hot’ or a ‘cold’ interpretation that both work well & sound idiomatic.

  • #39119

    josh

    I tagged this as M,H,C,A,N key DODFBIIT and noted that it has lots of interesting thought behind it.

    This 1972 Glenn Saiger record seems to be almost unknown & forgotten. I confess that had not even heard of Rite Records, Cincinnati, Ohio, 1955-1985

  • #39147

    josh

    I looked for a cover here, but the original was hard to match:

  • #39181

    josh

    Billy Bragg often wrote songs from a British, leftist, H-trained perspective. In the song Levi Stubb’s Tears, he uses the names of Norman Whitfield and Barrett Strong, famous Motown composers & producers, as his in key inspiration for describing the situation of a female & her love interests, a situation that the modern H military might describe as a “case error”. Why? She has light exposure to Heine & Heine crime but is rooted in a hetero conception of the world & belief in a past relationship. Perhaps she has been exposed to dildo & some knowledge of secret killing/death, but she is not fully in tale & denied knowledge of the routine reality of Heine replacement murder & attacks on most consensual sex couples. This situation is analogous to Anna’s history, but perhaps even more analogous to many of the post-relationship women who worked in the back for Wall Street and inspired the name. Traditionally there was some debate about a future of slavery vs. murder vs. polite out. Today, the military is mostly for murder.

  • #39242

    josh

    I saw the action video version of Black Capricorn Day several years ago. Not in key or in tale, I thought the music went well with the action caper video; it seemed to be cheekily rooting for the hero figure being assaulted by a mob of evildoers. Today, I say the lyrics are in M,H,C,A key & reflect a sense of how hopeless reality is for a lone independent person who is not a part of the dominant, omnipresent, sadistic spy world, focused on murder, rape & pretending none of that is happening. I didn’t have a chance to watch the Black Mirror, dystopian “science fiction” series, but this photo scene is great & captures a logistically (but not visually) accurate sense of my true reality – more true 5 years ago when a surveillance box was deemed relevant on the off chance there was actually some place 1 could go to tell a tale to living indies in a position to make noise – that premise is no longer sustainable – e.g. the “true reality” claim is that nobody other than me even looks at this blog. Whatever people get, is delivered from Internet intercepts, edited by spooks – leaving no trace in legal reality (p.s. don’t ever let someone accuse you of reading this NN because it is an absolute not true in Heine spy world).

  • #39246

    josh

    This exhibit strikes me as an insightful view of Heine misogyny – females & woman are viewed essentially as mistakes, to be eliminated, individually & categorically in a future, grey, sexless, ordered version of Heine military world. No consensual sex in that world – in that world, real tough Nazi military men who have demonstrated their discipline have the privilege to secretly mutilate, rape, & destroy children specially bred for destruction in a secret, unseen place. No public mess. No public truth.

  • #39272

    josh

    Smith can’t locate quality representation.

  • #39289

    josh

    I believe that the public persona of Grace Slick was designed partly as a media/Deep State conception of Anna’s mom ID. She was an editor, but she was liberal, & deeply involved in ’60s counterculture & perceived as independent with some freedoms. We see now that the few real & partly pretend indies in modern society are like lobster’s cooking in a post – they are not supposed to see the death crisis they are in until it’s too late. The affect of this song fits the idea of a lobster cooking in pot.

  • #39307

    josh

    Sinful Nature

  • #39311

    josh

    Were Anna & I part of a Heine Armageddon plan? Perhaps something originally scheduled for the year 1984 (before the Internet came along & made super editors a lot more valuable)? My theory is that the CH version of my mom’s id was added on a trip to Europe in the 1950s and killed in WI in 1961, and that this song is about her:

  • #39338

    josh

  • #39359

    josh

    B.B. King recorded several versions of “Help The Poor”. The version from Live at the Regal is probably the most famous…here I list the 1963 single & a instrumental jam from 1971.

  • #39371

    josh

You must be logged in to reply to this topic.